Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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Caspar David Friedrich The Crow 1 oil painting


The Crow 1

Painting ID::  1267
Caspar David Friedrich
The Crow 1
   
   
     

Caspar David Friedrich Chalk Cliffs on Rugen oil painting


Chalk Cliffs on Rugen
1818 Oskar Reinhart Foundation, Winterthur
Painting ID::  1268
Caspar David Friedrich
Chalk Cliffs on Rugen
1818 Oskar Reinhart Foundation, Winterthur
   
   
     

Caspar David Friedrich Cloister Cemetery in the Snow oil painting


Cloister Cemetery in the Snow
Destroyed in 1945 in Berlin
Painting ID::  1269
Caspar David Friedrich
Cloister Cemetery in the Snow
Destroyed in 1945 in Berlin
   
   
     

Caspar David Friedrich The Tree of Crows oil painting


The Tree of Crows
1822 Musee du Louvre,Paris
Painting ID::  1270
Caspar David Friedrich
The Tree of Crows
1822 Musee du Louvre,Paris
   
   
     

Caspar David Friedrich Woman on the Beach of Rugen 4 oil painting


Woman on the Beach of Rugen 4
1818 Oskar Reinhart Foundation, Winterthur
Painting ID::  1271
Caspar David Friedrich
Woman on the Beach of Rugen 4
1818 Oskar Reinhart Foundation, Winterthur
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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